Random gallery ☼ Zohra Mrad

// Public opening of the Casino Display during my artistic research residency → WAYS TO/ finalfinalsession 4 //

WAYS TO/ is digging into different paths and behaviours some choose to cope with the violence of the world we live in. This concept gathers essential values of my work : collaboration, work in progress and the dialogue between tangible and digital realms.

As the official closing event of my residency, I decided to showcase 3 different collaborative artworks :

WHAT HOLDS, an interactive and immersive installation, closely thought, made and developped with L-Corde, shown for the first time - and hopefully not the last time !

ttttt, a generative installation, based on a filmed performance with Jana Kaulmann (from WAYSTO/session1)

Glass experiments inspired by Léa Valet's illustrations

ALL about WAYS TO / finalfinalsession4

We are actively looking for curators, community or art spaces and institutions, open to host WHAT HOLDS for a few days/weeks.

This exhibition has only confirmed how much we want to push the project and its performative aspect.

// Public opening of the Casino Display during my artistic research residency → WAYS TO/ session 3 //

WAYS TO/ is digging into different paths and behaviours some choose to cope with the violence of the world we live in. This concept gathers essential values of my work : collaboration, work in progress and the dialogue between tangible and digital realms.

While the collective exhibition of my residency was still open, I invited the public again to witness a live A/V jam session made with Skander Ben Yahia (aka Near Stoic), as a moment to exchange with the visitors.

ALL about WAYS TO / session 2 / collective exhibition

This event was an invitation to reflect openly on current wounds in an intimate and safe space of creation, improvisation and support.

We let the public in our vulnerable jamming and experimenting moments and rituals.

// Public opening of the Casino Display during my artistic research residency → WAYS TO/ session 2 //

WAYS TO/ is digging into different paths and behaviours some choose to cope with the violence of the world we live in. This concept gathers essential values of my work : collaboration, work in progress and the dialogue between tangible and digital realms.

ALL about WAYS TO / session 2 / collective exhibition

As a reminder that music scenes go beyond making music, this second opening gathered the works of visual artists from extreme music scenes in a collective exhibition such as : Alexandra Uppmann, Michaela Knizova, Førtifem, Kim the Butcher, Ghas Attack, Zahira Attou, Mitch Fuse, Nuke, Nadia Zarrougui and myself.

As a curator and artist part of this exhibition, it was important for me to immerse the public at least for one night in LIVE A/V performances celebrating experimental and extreme music.

The opening of the WAYS TO/ session2 was led by a drone live A/V collaboration of Cigvë's music (Catherine Guesde) and my visuals and ended by a performance by Trigger object.

The performers of that evening were invited to step on glass and these were lately used for WAYSTO/finalfinalsession4

// Public opening of the Casino Display during my artistic research residency → WAYS TO/ session 1 //

WAYS TO/ is digging into different paths and behaviours some choose to cope with the violence of the world we live in. This concept gathers essential values of my work : collaboration, work in progress and the dialogue between tangible and digital realms.

The first public event focused on reframing our experiences of pain through the art of tattooing, loops and noise.

Jana Kaulmann was the guest artist invited to a filmed performance and occupy a part of the display for her own research.

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More information about WAYS TO / session 1

Diɇgest - interactive installation made in collaboration with Catherine Guesde, exhibited during PROLOGUE - Casino Display (LU) - 27.02.2026

Diɇgest is a cocoon that invites movement as a means of soothing and processing intense emotional experiences. Rather than projecting the audience into a virtual space, this immersive audiovisual installation encourages an embodied experience, grounded in the present moment. Inspired by recent research on trauma, neuroplasticity, and somatic methods, this generative and interactive installation is a playful space that highlights techniques for creating new neural pathways. The audience’s movements control the sounds and images, offering another way to sense their body and the world around them. 

PROLOGUE - Casino Display →

EXTREME NOISE DATAMOSHING - is a series of installations and prints. It navigates from digital to tangible noise, applying loops of interactive and generative distortions.

The Cycle 005 of the series is exhibited at ARTDECO))), Galerie Poirel, curated by Kevin Muhlen, in partnership with the ENSAD Nancy

ARTDECO))) - Galerie Poirel →

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The risographed prints accompanying the piece are fragments of different moments of distortion. They crystallize mouvements, silhouets and patterns emerging from intangibleness, randomness and chaos.

©Yvonne Corbiere

EXTREME NOISE DATAMOSHING - is a series of installations and prints. It navigates from digital to tangible noise, applying loops of interactive and generative distortions.

The concept and first 3 cycles were created during my Risodency at Casino Display in December 2024.

The Cycle 003 of the series was shown during a Risospective at Casino Display from the 15th to the 21st of November 2025.

Risospective - Casino Display →

LEFT ON - Interactive installation.
Exhibited from the 6th of November to the 7th of December 2025, in Luxembourg, during " CTRL+ALT+MEMORY " collective exhibition by La concierge.

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Left on is an interactive piece questioning how we decide to master our time and how we balance our focus from digital human-to-human interaction to our real life encounters. From facing the screen to turning your back to it, this piece invites a dialogue between our own availability or mental capacity and the pursuit of being seen, understood and cared for in intimate digital conversations as they are shaped today.

_First A/V - Educational project made with Damiano Picci.
Supported by the Fondation Sommer, the Bourse Multiplica and the GRACE - Interreg project - from la Ville de Metz, Bliida and the Rotondes.

It was shown at Multiplica lab 2025, in Luxembourg and at the opening of the festival Constellations 2025 in Metz

_First A/V - 1st residency cycle at Rotondes →

Bourse Multiplica article →

UNCYCLE - Interactive and generative mapping for the Rotondes.
Exhibited from the 27th of September to the 12th of January 2025, in Luxembourg, at the Rotondes' buvette.

Informations on Rotondes' website →

Sirr al-'Asrâr

Sirr al-’Asrâr is an experimental live audiovisual project, a collective journey in ethereal melodies and mesmerizing graphics. It is the joint project of Skander Ben Yahia, Zohra Mrad and Skander Jaïbi. Raised in Tunisia, they are now based in Paris, Luxembourg and Amsterdam. Their sonic landscapes oscillate between serenity and discord. Intertwined with hypnotic and surreal visuals, they envelop their audience in a trance-like state of contemplation.

Sirr al-Asrâr's linktree →

Fœhn ------
Quarterly eco poetry journal - in French

Made with the poets Selim-a Atallah Chettaoui, Louis Dorsène and Florian Bardou.
Currently in charge of the artistic direction, graphic design and visual arts curation for the book and its events.

FIRST LAUNCH in june 2024

fœhn's linktree →

Improvised Live with Zephyr, at EKKO, Utrecht - May 2024
Invited to collaborate for with the artist Zephyr from the collective Zenith. Improvising over old tapes, forest recordings, videos and generative patterns

META MEDIA - web exploration
Online exhibition "HYBRID REALITY" of the residency of Six minutes past-nine x Mnemozine.

It's worth testing if you are on a computer !

META MEDIA - Hybrid reality exhibition →

Meta media is a self-referential loop space which aims to capture, as its medium and message, the question of what it is human. The space urges the visitor to recognise the need and the truth of grasping what makes our lived experience unique while simultaneously veiling any attempt at answering this question.

Random

Gallery

noise, chaos & organic digital entities
spectral playful cocoons, experiences & prints

Random

Gallery

noise, chaos & organic digital entities spectral playful cocoons, experiences & prints

noise, chaos & organic digital entities
spectral playful cocoons, experiences & prints